All that glistensĬhronos also amped up the visual flourish of PrintLife 3, carrying over most of the special effects features introduced earlier this year for its companion software, The toolbar across the top also allows switching between Design and Preview modes with just a click, so designers can see their work in a cleaner, trimmed view, free of UI distractions.ģD text is one of the many new features in PrintLife 3, with complete control over every aspect of the look and feel. This not only makes PrintLife simpler to use-and easier on the eyes-but is also thoughtfully designed with today’s smaller MacBook screens in mind.Ĭhronos also hasn’t forgotten about iMac owners or those of us with external displays: From the View > Format menu, extra display real estate can be used to call up standalone Style, Image/Text, and Arrange inspectors. The big news with version 3.0 is a major user interface overhaul, which consolidates design tools into a trio of inspectors that reside inside a single sidebar at right. The Liberation of Europe, containing over 400 images, not only gives a succinct and expert overview of the North West Europe campaign, but also presents world history on a grand scale and is essential reading for everyone interested in World War II and the history of Europe.PrintLife 3 includes a full complement of artwork elements to embellish whatever printed material you might need. Mark Barnes, a librarian at The Times, has painstakingly reconstructed the archive over a period of many years, piecing together the journeys these pioneering photographers, masters of their craft, made across Europe. It is an extraordinary archive, yet very few of the images were published, either at the time or since. They were on hand to witness the surrender of German commanders and some of their subsequent suicides, and also when King George VI made history as the first monarch since Henry V to confer knighthoods on the battlefield. They captured thousands of images of the fighting and its aftermath: bombed-out towns, tanks and the inevitable human death toll, but also troops moving through a scarred landscape, the civilian population in joy and fear, and the daily activities of the soldiers themselves. Photographers from The Times were part of a talented group who were there to capture the momentous events taking place from the moment the troops stepped ashore, as the Allies fought their way from the D-Day beaches all the way to Berlin. Life on the home front was the main subject until the invasion of France changed everything in 1944. The Second World War presented a huge range of challenges to press photography both in terms of its execution and getting the results in print. Succinct and accessible text giving an overview of how Europe was liberated.
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